[01] Intro
[02] Words
[03] There Goes The Fear
[04] M62 Song
[05] Where We're Calling From
[06] N.Y.
[07] Satellites
[08] Friday's Dust
[09] Pounding
[10] Last Broadcast
[11] The Sulphur Man
[12] Caught By The River
[13] Hit The Ground Running
[14] Far From Grace
[15] Northenden
[16] Willow's Song
amg: When Doves issued Lost Souls in fall 2000, Britpop was immersed in its melodic gloom-and-doom era, ushered in by the success of Radiohead. The likes of Coldplay, Travis, Elbow, and Starsailor followed in their wake, as did Doves. What separated Doves from the rest was a glint of passion, evident on their 2000 debut, Lost Souls. Two years later, the atmospheric dreamscapes of Lost Souls were torn asunder for the musical daybreak of The Last Broadcast. As it turns out, the psychedelic vibrancy of 'Catch the Sun,' the brightest track on the album, pointed toward this brave second record. Gone are the hazy space rock trips and the cheerless attitudes; Doves are on the sunny side of the street for The Last Broadcast. The seven-minute sonic boom of 'There Goes the Fear' finds Jimi Goodwin sharing vocals with Jez and Andy Williams for a glorious chorus. Each of them switches up vocal duties throughout, lending a joyous feel to the album itself. From the bold front of 'Words' to the fiery momentum of 'Pounding,' The Last Broadcast shows a refreshing rawness that was absent before. The High Llamas' Sean O'Hagan delivers sweeping orchestral arrangements for the sublime 'Friday's Dust,' while the electronic dewdrops of 'The Sulphur Man' push Doves' divine ambience further to the front.Doves were caught up in making grand compositions on Lost Souls, which worked fabulously, but it was too much. They've stripped down to the basics, letting the optimism of The Last Broadcast take center stage. It's a brilliant moment.
(amg 8/10)
[02] Words
[03] There Goes The Fear
[04] M62 Song
[05] Where We're Calling From
[06] N.Y.
[07] Satellites
[08] Friday's Dust
[09] Pounding
[10] Last Broadcast
[11] The Sulphur Man
[12] Caught By The River
[13] Hit The Ground Running
[14] Far From Grace
[15] Northenden
[16] Willow's Song
amg: When Doves issued Lost Souls in fall 2000, Britpop was immersed in its melodic gloom-and-doom era, ushered in by the success of Radiohead. The likes of Coldplay, Travis, Elbow, and Starsailor followed in their wake, as did Doves. What separated Doves from the rest was a glint of passion, evident on their 2000 debut, Lost Souls. Two years later, the atmospheric dreamscapes of Lost Souls were torn asunder for the musical daybreak of The Last Broadcast. As it turns out, the psychedelic vibrancy of 'Catch the Sun,' the brightest track on the album, pointed toward this brave second record. Gone are the hazy space rock trips and the cheerless attitudes; Doves are on the sunny side of the street for The Last Broadcast. The seven-minute sonic boom of 'There Goes the Fear' finds Jimi Goodwin sharing vocals with Jez and Andy Williams for a glorious chorus. Each of them switches up vocal duties throughout, lending a joyous feel to the album itself. From the bold front of 'Words' to the fiery momentum of 'Pounding,' The Last Broadcast shows a refreshing rawness that was absent before. The High Llamas' Sean O'Hagan delivers sweeping orchestral arrangements for the sublime 'Friday's Dust,' while the electronic dewdrops of 'The Sulphur Man' push Doves' divine ambience further to the front.Doves were caught up in making grand compositions on Lost Souls, which worked fabulously, but it was too much. They've stripped down to the basics, letting the optimism of The Last Broadcast take center stage. It's a brilliant moment.
(amg 8/10)
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- The Last Broadcast sold 52,000 copies in its first week, and has since been certified platinum by the British Phonographic Industry. The album's second single ' Pounding ' was released in July 2002, and peaked at number 21, while third and final single ' Caught by the River ' was released in October 2002 and reached number 29 on the charts.
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- Britain's New Musical Express (pretty certain it was them!) had it nailed when the reviewer called 'The Last Broadcast' 'The most life-affirming album of the year'. Usually an album of this scope runs the risk of having too much put in and making a mess. Doves achieve the opposite: every overdub and tweak makes sense, and only enhances the effort.
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